Stopping Time and Memory Through His PolaWorks. Interview with Visual Artist Paolo Angelucci
Part of his production is the result of a long experimentation with pure silver gelatine. From Italy

Tell us what you do and your beginnings.
As a child, I was the home photographer. I had a Yashica FX-3 2000 and dreamed of having a painter's easel; in 1999, I bought my first photographic enlarger at a flea market.
My first darkroom was in an empty office that some friends made avai…
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